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Iron & Wine - Our Endless Numbered Days limited edition vinyl

IRON & WINE - OUR ENDLESS NUMBERED DAYS VINYL RE-ISSUE (LTD. 'LOSER' ED. GREEN OPAQUE 2LP)

Regular price £24.99 £22.49 Sale

LIMITED 'LOSER' DELUXE EDITION OPAQUE GREEN 2LP VINYL RE-ISSUE

Release Date: 22nd March 2019

Limited 15th anniversary edition of Iron & Wine(aka Sam Beam)'s most cherished and most loved album of his distinguished career, featuring the original album plus eight previously unreleased demo versions and a 12-page booklet. Our Endless Numbered Days is the hallmark of 00's indie-folk with it's delicate and hushed movements, yet thoroughly melodic and catchy in equal measure resulting in the album soundtracking many an indie love story over the years!

For Fans Of: S. Carey, Phosphorescent, Hiss Golden Messenger, The Tallest Man on Earth

 

"Sam Beam, aka Iron & Wine, released ‘Our Endless Numbered Days’, his second, in March of 2004. It followed his hushed, literate, intimate, melodic, 2002 debut album, ‘The Creek Drank The Cradle’, a quiet treasure which, with its unaffected candour and depth, found fans all over. ‘Our Endless Numbered Days’ was recorded both at Sam’s Miami home and in Chicago’s Engine Studios with Brian Deck (Red Red Meat, Modest Mouse, Ugly Casanova). On it, Sam is aided and abetted by his then touring and recording conspirators: his sister Sarah Beam, Patrick McKinney, Jeff McGriff, EJ Holowicki and Jonathon Bradley. Listening to ‘Our Endless Numbered Days’ makes plain Sam’s deft touch with words and melody; one that allows him to turn out stories about love, loss, faith, or the lack of it that are at once personal and universal, set to music that is sweetly haunting and timeless. ‘Our Endless Numbered Days’ is the first Iron & Wine album to be recorded in a professional studio, and it has sold over 460,000 copies (556,000+ including streaming) as of December 2018. This deluxe reissue features the original album plus eight previously unreleased demo versions and a 12- page booklet with an essay about the album by Amanda Petrusich."