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A re-issue of the modern-classic soundtrack to the Daniel Day-Lewis starring, Michael Mann directed, 1992 epic - The Last of The Mohicans. The Trevor Jones and Randy Edelman score to the film has become iconic with it's massive orchestral movements and tension-building folk sounds. A must-have for any vinyl collecting fan of the film or film scores in general!\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\"Rare is the soundtrack that as time passes overshadows the film of which it was a part, but that’s what has happened in the years since the 1992 release of The Last of the Mohicans. Not that the film is any slouch; Michael Mann’s epic retelling of James Fenimore Cooper’s frontier tale is a cable TV fixture and more evidence that Daniel Day-Lewis is one of the great actors of our time. But the film’s music has emerged as easily one of the most popular scores of ‘90s cinema, with the “Main Title” in particular having become a part of our popular culture the same way as, say, the signature themes from Titanic, Star Wars, and other blockbusters. What makes it even more extraordinary is that the movie’s score emerged from postproduction turmoil as the work of two different composers, Trevor Jones and Randy Edelman. Jones’ work is more of the traditional orchestral soundtrack ilk, Edelman’s has a more contemporary feel, but somehow it all fits, with the closing credit song “I Will Find You” by Clannad an added bonus. Long a bestselling soundtrack CD, we at Real Gone Music are releasing this revered soundtrack on vinyl for the first time in North America in sepia-toned vinyl limited to 1000 copies, inside a brand-new gatefold festooned with production stills. 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Tredding the fine line between epically beautiful and heroically sad, \u003c\/span\u003e\u003ci\u003eOccasus\u003c\/i\u003e\u003cspan\u003e will make you stop in your tracks and reflect on everything around you. This is music that could soundtrack any scene with its effortless beauty - and when \u003c\/span\u003eRyuichi Sakamoto calls something \"\u003ci\u003eso, so, so beautiful\u003c\/i\u003e\", you know it's going to be good (that's three so's from Sakamoto there. A man you don't suspect\u003cspan\u003e \u003c\/span\u003egives\u003cspan\u003e \u003c\/span\u003ecomplements like that very often)! So stop your rushing about, stick this one on and have a seat. \u003c\/h3\u003e\n\u003ch3\u003eFor Fans Of: \u003cspan\u003eRyuichi Sakamoto, Nils Frahm, James Heather, Johann Johannsson\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cspan\u003ePennsylvania native Keith Kenniff's output as Goldmund has established him as one of the preeminent composers of minimal piano-based ambient music alongside peers like Hauschka, Dustin O'Halloran, and even Ryuichi Sakamoto, who himself once described Kenniff's work as \"\u003ci\u003eso, so, so beautiful\u003c\/i\u003e\". Hyperbolic as it may sound, Goldmund's newest collection \u003ci\u003eOccasus\u003c\/i\u003e may be his most exquisite yet. Where his previous recordings trod faithfully and sincerely on paths of dimly lit, polaroid-esque nostalgia, \u003ci\u003eOccasus\u003c\/i\u003e deepens the undeniable aesthetic that was hard-won over eight previous Goldmund albums, while expanding the palette to include desultory clouds of synthesizer and a tastefully distressed analog sheen. The word 'occasus' means downfall, end, or the rising and falling of heavenly bodies. The title is apt in more ways than one: while the emotional tone of the album denotes bittersweet feelings of conclusiveness, it also perfectly soundtracks the quiet moments when we look up to the sky, and humbly relearn the smallness of our lives as cosmic objects churn slowly overhead with bewitching indifference. \u003ci\u003eOccasus\u003c\/i\u003e feels deeply personal, private, and hushed yet simultaneously grand, colossal, and profound. Remarkably Kenniff is able to capture micro and macro with equal fidelity.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"VENUS VINYL","offers":[{"title":"Default Title","offer_id":7196282355774,"sku":"","price":17.49,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/6395\/4238\/products\/Goldmund_-_Occasus.jpeg?v=1523576689"},{"product_id":"jonny-greenwood-phantom-thread-ost-vinyl-2lp-gatefold","title":"JONNY GREENWOOD - PHANTOM THREAD OST VINYL (2LP GATEFOLD)","description":"\u003ch3\u003e2LP GATEFOLD\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eRelease Date: 20th April 2018\u003c\/em\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\n\u003cspan\u003eRadiohead's Jonny Greenwood's Gold Globe-nominated score for Paul Thomas Anderson's latest film, starring Daniel Day-Lewis, \u003c\/span\u003e\u003ci\u003ePhantom Thread\u003c\/i\u003e\u003cspan\u003e, is now available on vinyl! The eighteen compositions that make up the score were recorded \u003c\/span\u003ewith a sixty-member string orchestra conducted by Robert Ziegler. Such is the quality and important of Greenwood's score - it features more heavily in the film than any of his previous scores. It includes beautiful arrangements on piano and strings that set a subtle and stylistic setting for what pans out throughout the film. This is quite possibly\u003cspan\u003e \u003c\/span\u003ehis\u003cspan\u003e \u003c\/span\u003egreatest film score to-date!\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan\u003eFor Fans Of: Radiohead, Ryuichi Sakamoto, Johann Johannsson, Nils Frahm\u003c\/span\u003e\u003c\/h3\u003e\n\u003cbr\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cspan\u003eNonesuch release Jonny Greenwood’s Golden Globe–nominated score to Paul Thomas Anderson’s new feature film, \u003ci\u003ePhantom Thread\u003c\/i\u003e. \u003ci\u003ePhantom Thread\u003c\/i\u003e is set in the glamour of 1950s post-war London, where renowned dressmaker Reynolds Woodcock (Daniel Day-Lewis) and his sister Cyril (Lesley Manville) are at the center of British fashion, dressing royalty, movie stars, heiresses, socialites, debutants, and dames with the distinct style of The House of Woodcock. Women come and go through Woodcock’s life, providing the confirmed bachelor with inspiration and companionship, until he comes across a young, strong-willed woman, Alma (Vicky Krieps), who soon becomes a fixture in his life as his muse and lover. With \u003ci\u003ePhantom Thread\u003c\/i\u003e, Oscar-nominated filmmaker Paul Thomas Anderson paints an illuminating portrait both of an artist on a creative journey and the women who keep his world running. \u003ci\u003ePhantom Thread\u003c\/i\u003e is Anderson’s eighth movie, and his second collaboration with Daniel Day-Lewis. The film’s soundtrack includes eighteen compositions by Greenwood. It was recorded in London with a sixty-member string orchestra conducted by Robert Ziegler and is featured more prominently in the film than any of Greenwood’s scores have been before. In addition to the Golden Globe nomination, the \u003ci\u003ePhantom Thread \u003c\/i\u003esoundtrack’s many other accolades to date include the Best Score prizes from film critics’ associations in Boston, Chicago, Los Angeles, Phoenix, San Francisco, Seattle, and St. Louis.\"\u003c\/span\u003e","brand":"VENUS VINYL","offers":[{"title":"Default Title","offer_id":7290751287358,"sku":"","price":34.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/6395\/4238\/products\/Jonny_Greenwood_-_Phantom_Thread_OST.jpeg?v=1524759139"},{"product_id":"grouper-grid-of-points-vinyl-lp","title":"GROUPER - GRID OF POINTS VINYL (LP)","description":"\u003cp\u003e\u003cem\u003eRelease Date: 27th April 2018\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e﻿Liz Harris, aka Grouper, is back with her first Grouper record since 2014's stunning \u003cem\u003eRuins\u003c\/em\u003e (having release a record with the band Helen in 2015). \u003cem\u003eGrid of Points\u003c\/em\u003e was recorded during a trip to Wyoming in which she set about recording sparse tracks using just piano and her voice. 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Much like its concept, the tracks are bitter-sweet beautiful bounds of sound that sweep across you with gusts of emotion. If you want a great example of what can be achieved with just one solitary instrument - then look no further.\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan\u003eFFO: Nils Frahm, Jóhann Jóhannsson, Max Richter, Goldmund\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cspan\u003eJames Heather presents his debut album on vinyl for the first time via Ahead Of Our Time - Coldcut’s (Ninja Tune founders) first label and playground for free expression and experimentation. A collection of nine conceptual solo piano pieces inspired by real world news events. The album art by Suki features layers of Indian ink bled into newspaper print. It also plots the nine latitude and longitude locations of each stories origin. 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That collaboration has led to the first full-length between the two contrasting acts which started out as a 2016 Barbican performance. Lageos is the meeting point between the two alternative worlds of live acoustic strings and electronica manipulation and it sheds Actress's music in a new light.\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan\u003eFor Fans Of: Floating Points, Forest Swords, Clark, Leon Vynehall\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cspan\u003eFollowing the release of the \u003ci\u003eAudio Track 5\u003c\/i\u003e EP electronic producer and musician Darren Cunningham AKA Actress and the London Contemporary Orchestra (LCO) release a full album of their collaboration on Ninja Tune entitled \u003ci\u003eLageos\u003c\/i\u003e. Originally performed at the Barbican in February 2016, the project was curated by Boiler Room and LCO. A synergy between both live electronic and acoustic components, Actress and LCO augmented traditional piano and created sounds from objects as varied as temple bowls and plastic bags. 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This man can do it all!\u003c\/h3\u003e\n\u003ch3\u003eFor Fans Of: Floating Points, Nils Frahm, Goldmund, Anenon\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n﻿\u003cspan\u003e\"\u003c\/span\u003e\u003cspan\u003e\u003ci\u003eNothing Is Still \u003c\/i\u003eis defiantly atmospheric and textural, and finds him harnessing his passion for early contemporary minimalist composers such as Gavin Bryars as well as records like Philip Glass’ \u003ci\u003eKoyaanisqatsi \u003c\/i\u003eand Terry Riley’s \u003ci\u003eA Rainbow In Curved Air\u003c\/i\u003e. Written and predominantly performed by Vynehall with additional musicians including a ten-piece string section arranged by Amy Langley, Finn Peters (saxophone and flute), and Sam Beste (piano) whom completed the final recording sessions that took place at Konk Studio’s - \u003ci\u003eNothing Is Still\u003c\/i\u003e was mixed by Blue May in London before making its own transatlantic flight to New York, where it was mastered at Sterling Sound by Greg Calbi. Following his recent signing to Ninja Tune, Leon Vynehall releases his debut album \u003ci\u003eNothing Is Still\u003c\/i\u003e - a record that sees him digging deeper into the family history that has always inspired his most iconic tracks, whilst returning to his own musical roots. 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This score is an eerie and dark setting which sees Greenwood adopting two approaches of experimental string and orchestral movements, performed in-part by the London Contemporary Orchestra, and secondly, a heavy electronica approach with distorted synthesisers and drum machines to assault your eyes! \u003c\/h3\u003e\n\u003ch3\u003eFor Fans Of: Oneohtrix Point Never, \u003cspan\u003eRyuichi Sakamoto, Johann Johannsson, \u003c\/span\u003eRadiohead\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e﻿\u003cspan\u003e\"\u003c\/span\u003e\u003cspan\u003eOscar-nominated Radiohead guitarist Jonny Greenwood’s score for the new Lynne Ramsay and Joaquin Phoenix film \u003ci\u003eYou Were Never Really Here\u003c\/i\u003e. Greenwood once again displays both beautiful and harrowing string arrangements performed by the London Contemporary Orchestra and experimental string player Olly Coates (Under The Skin), married with experimental synthesisers, drum machines, recorders and guitars. 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Moody, \u003c\/span\u003emischievous music to move to.\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan\u003eFFO: John Roberts, Roman Flugel, Daniel Avery, Photay\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cspan\u003eUndoubtedly one of the most distinctive and fully-formed electronic producers in recent memory, DJ Richard imprinted the sound of a bubbling US underground with his label, White Material, founded in 2012 alongside Young Male. His first solo LP for Dial, 2015’s \u003ci\u003eGrind\u003c\/i\u003e, found DJ Richard delicately establishing a discipline between his East Coast noise heritage and a physical, emotive tradition of house music, mastered during an extended stay in Berlin. 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If ambient, experimental electronica’s your thing – then you need to check this one out! \u003c\/h3\u003e\n\u003ch3\u003eFFO: Tim Hecker, Brian Eno, \u003cspan\u003eSteve Reich, Kaitlyn Aurelia Smith\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"Fourth release on Kutiman's own record label Siyal Music following the sold out \u003c\/span\u003e\u003ci\u003eSpace Cassava\u003c\/i\u003e\u003cspan\u003e EP, \u003c\/span\u003e\u003ci\u003eWhite Monkey\u003c\/i\u003e\u003cspan\u003e 45 and \u003c\/span\u003e\u003ci\u003e6am\u003c\/i\u003e\u003cspan\u003e album. In the era of the brand, Kutiman is an anomaly. A musician who’s a video artist who’s a producer who’s an animator who’s also the unwilling star of one of Israel’s most successful recent documentaries, his every record contrasts with whatever it was that came before. But that’s fundamental to his appeal: no one, not even him, really knows what to expect next. Unsurprisingly, therefore, \u003c\/span\u003e\u003ci\u003eDon’t Hold Onto the Clouds\u003c\/i\u003e\u003cspan\u003e is no different, which means it’s like nothing he’s ever done. Most artists would acknowledge this by working under pseudonyms, but Kutiman is – yes, you’ve guessed it – different again. \u003c\/span\u003e\u003ci\u003eDon’t Hold Onto the Clouds\u003c\/i\u003e\u003cspan\u003e is comprised of just four tracks - the shortest of which, Lucid Dream, still clocks in at almost eight minutes - it orbits within reach of, among other styles, Ambient, Electronica, Minimal and New Age, but refuses to settle on merely one. The A-Side features the airy Behind the Noise and Unknown, reeling the listener into a deep and meditation. Flip it over to the B- Side and you’ll find Mineral and Lucid Dream inducing an ethereal state. This new record is unusual to Kutiman’s typical style, revealing his love for the sounds of Terry Reilly, Moondog, Alice Coltrane and William Basinski. Recorded live by Kutiman over the course of the last year, the album also draws upon his growing love for Indian music, and, alongside extensive use of a Juno 6, features his first, unorthodox use of a tabla he received from his mother. \u003c\/span\u003e\u003ci\u003eDon’t Hold Onto the Clouds\u003c\/i\u003e\u003cspan\u003e is meditative and enigmatic, like nothing he’s done before.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"VENUS VINYL","offers":[{"title":"Default Title","offer_id":12331334271038,"sku":"","price":9.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/6395\/4238\/products\/Kutiman_-_Don_t_Hold_Onto_the_Clouds.jpg?v=1533245028"},{"product_id":"animal-collective-tangerine-reef-vinyl-ltd-ed-heavyweight-2lp-solid-green-etched-d-side","title":"ANIMAL COLLECTIVE - TANGERINE REEF VINYL (LTD. ED. 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So if you preferred the earlier or more abstract and ambient moments of Animal Collective, then you're in for a treat! \u003c\/span\u003e\n\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan\u003eFor Fans Of: Panda Bear, Avery Tare, Gang Gang Dance, Dirty Projectors\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cspan\u003e\u003ci\u003eTangerine Reef\u003c\/i\u003e is a full-length audio-visual album by Animal Collective (Avey Tare, Deakin and Geologist), in collaboration with Coral Morphologic, to commemorate the 2018 International Year of the Reef. \u003ci\u003eTangerine Reef\u003c\/i\u003e is a visual tone poem consisting of time-lapse and slow pans across surreal aqua-scapes of naturally fluorescent coral and cameos by alien-like reef creatures (note: no CGI or artificial enhancement was used in this film). \u003ci\u003eTangerine Reef\u003c\/i\u003e is the sight and sound of a literal underwater collective of animals.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"VENUS VINYL","offers":[{"title":"Default Title","offer_id":12377564086334,"sku":"","price":20.39,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/6395\/4238\/products\/Animal_Collective_-_Tangerine_Reef.jpg?v=1535038972"},{"product_id":"mogwai-kin-ost-vinyl-ltd-ed-heavyweight-red","title":"MOGWAI - KIN OST VINYL (LTD. 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You're always guaranteed greatness with these lads!\u003c\/h3\u003e\n\u003ch3\u003eFFO: The Appleseed Cast, Godspeed You Black Emperor, Do Make Say Think, Explosions in the Sky\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cspan\u003eMogwai's first venture into the world of the feature film soundtracks is for the upcoming \u003ci\u003eKin\u003c\/i\u003e (directed by the producers that bought you Stranger Things and Arrival, Jonathan and Josh Baker). Mogwai fans won't be disappointed and it will appeal to lovers of sci fi film soundtracks. Includes the previously released single Donuts.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"VENUS VINYL","offers":[{"title":"Default Title","offer_id":12413457367102,"sku":"","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/6395\/4238\/products\/Mogwai_-_Kin_OST.jpg?v=1536592609"},{"product_id":"the-field-infinite-moment-vinyl-2lp-gatefold","title":"THE FIELD - INFINITE MOMENT VINYL (2LP GATEFOLD)","description":"\u003cp\u003e\u003cem\u003eRelease Date: 21st September 2018\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eThe ever-reliant, always excellent Swedish producer Axel Willner, aka The Field, returns right on cue just as we were all about to expel in unison - \"hey!? It's been two years since a Field record... what's going on!?\" Infinite Moment is everything you would want from a Field record, with his classic icy, yet warm techno loops which are warped and worn as each track progresses. The record is yet another example of Willner's move into more ambient and downtempo modes which he is equally as exquisite at. Get your infinite moment right here!\u003c\/h3\u003e\n\u003ch3\u003eFFO: Pantha du Prince, DJ Koze, Oneohtrix Point Never, Tim Hecker\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cspan\u003eTwo years on since his last outing on the label, \u003ci\u003eThe Follower\u003c\/i\u003e, Axel Willner puts on his Field suit again to present his sixth full-length effort for Kompakt, \u003ci\u003eInfinite Moment\u003c\/i\u003e - which sees him striding further across the deeper, richer rims of the hue cycle. 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Flippin ‘Heck’ it’s good!\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003eFFO: Oneohtrix Point Never, Ben Frost, Blanck Mass, Clark\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cspan\u003eExperiential composer Tim Hecker’s ninth official full-length, \u003ci\u003eKonoyo\u003c\/i\u003e (“the world over here”) was largely recorded during several trips to Japan where he collaborated with members of the gagaku ensemble Tokyo Gakuso, in a temple on the outskirts of Tokyo. Inspired by conversations with a recently deceased friend about negative space and a sense of music’s increasingly banal density, Hecker found himself drawn towards restraint and elegance, while making music both collectively and alone. As with the Icelandic choir he arranged on 2016’s \u003ci\u003eLove Streams\u003c\/i\u003e, the heights of Hecker’s talent emerge in his manipulation of source material, bending and burnishing it into fantastical new forms. Keening strings are stretched into surreal, pixelated mirages; woodwinds warble and dissipate as fractal whispers of spatial haze; sparse gestures of percussion are chopped, isolated, and eroded, like disembodied signals from the afterlife. Both in texture and intent, \u003ci\u003eKonoyo\u003c\/i\u003e conjures a somber, ceremonial mood, suffused with ritual and regret. Visions flutter and fade; dreams gleam and decay.\"\u003c\/span\u003e\u003c\/p\u003e","brand":"VENUS VINYL","offers":[{"title":"Default Title","offer_id":13515495276606,"sku":"","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/6395\/4238\/products\/Tim_Hecker_-_Konoyo.jpg?v=1538603935"},{"product_id":"johann-johannsson-mandy-ost-vinyl-ltd-ed-translucent-red-gatefold","title":"JOHANN JOHANNSSON - MANDY OST VINYL (LTD. ED. 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