{"title":"2025 RELEASES","description":"","products":[{"product_id":"anderson-paak-malibu-vinyl-2lp","title":"ANDERSON .PAAK - MALIBU VINYL RE-ISSUE (2LP)","description":"\u003cp\u003eRelease Date: 5th September 2025\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eThe new album by the Californian hip-hop\/RnB rising star Anderson .Paak is a masterful blend of soul hip-hop RnB and dance music. \u003c\/span\u003e\u003cem style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eMalibu\u003c\/em\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e features production from: 9th Wonder DJ Khalil Madlib Kaytranada Pomo Dem Jointz Callum Conner Hi-Tek The FreeNationals and Paak himself. Featured vocalists include ScHoolboy Q Talib Kweli BJ The Chicago Kid Rhapsody and The Game.\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"This album by the Rap \/ Hip-Hop \/ Nu R\u0026amp;B wunderkind Anderson .Paak features production from: 9th Wonder, DJ Khalil, Madlib, Kaytranada, Pomo, Dem Jointz, Callum Conner, Hi-Tek, Anderson .Paak and The FreeNationals. Featured vocalists include ScHoolboy Q, Talib Kweli, BJ The Chicago Kid, Rhapsody and The Game. Malibu is the maturation of .Paak's journey from Soul and R\u0026amp;B over into Hip-Hop and even modern dance, all the while giving listeners a deep look into his personal experience. Dive into the deepness that makes Malibu a special time and place, and enjoy. If you're into Kendrick Lamar and Vince Staples, then you'll love this.\"\u003c\/p\u003e\n\u003cp\u003eERE222\u003c\/p\u003e","brand":"VENUS VINYL","offers":[{"title":"Default Title","offer_id":6869407694910,"sku":"ERE222","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/6395\/4238\/products\/1490735147453.jpg?v=1519395592"},{"product_id":"john-talabot-fin-vinyl","title":"JOHN TALABOT - fIN VINYL RE-ISSUE (LP)","description":"\u003cp\u003eRelease Date: 26th September 2025\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\"If there is one person who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on Pitchfork. At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou...\"\u003c\/p\u003e\n\u003cp\u003ePERMVAC0891\u003c\/p\u003e","brand":"VENUS VINYL","offers":[{"title":"Default Title","offer_id":6869586804798,"sku":"PERMVAC0891","price":22.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/6395\/4238\/products\/1458727302426.jpg?v=1519677728"},{"product_id":"drug-church-cheer-vinyl-ltd-ed-blood-red","title":"DRUG CHURCH - CHEER VINYL RE-ISSUE (LTD. ED. RED, BONE \u0026 BLACK ICE TRI-STRIPE)","description":"\u003ch3\u003eLIMITED EDITION RED, BONE \u0026amp; BLACK ICE TRI-STRIPE VINYL RE-ISSUE\u003c\/h3\u003e\n\u003cp\u003e\u003cem\u003eRelease Date: 25th April 2025\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003eDrug Church bring us their best record to-date in what is their loudest, heaviest and angriest, yet is their most accessible and catchy. Massive hooks, guitar solos and shout-alongs are aplenty in this angst-ridden, full-throttle attack of a record that holds no prisoner in its assessment of how fucked up modern life really is. 'Cheer' class!\u003c\/h3\u003e\n\u003ch3\u003eFFO: Single Mothers, METZ, Frameworks, Pianos Become The Teeth\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cspan\u003ePunk rock agitators Drug Church have announced their brand new third full-length, \u003ci\u003eCheer\u003c\/i\u003e, out the 2nd November on Pure Noise Records. Cheer finds the band amplifying their seemingly contradictory strengths to somehow make their most accessible work to date. Lead single \"Avoidarama\" showcases Drug Church's skill at deftly combining pummeling riffs with undeniable hooks, while its Ian Shelton-directed video interprets frontman Patrick Kindlon's sardonic storytelling with a subject who plays dead to avoid awkward interactions. \u003c\/span\u003e\u003cspan\u003eDrug Church are a glorious contradiction. They are an unabashedly aggressive band that writes hooks you can’t stop humming: too poppy for the heavy crowd, too heavy for the poppy crowd. Their frontman is a singer who rarely sings and delivers lyrics that revel in the darkest corners of the human condition, but are just as likely to make you laugh as they are to make you flinch. They loudly shout the uncomfortable truths we prefer to ignore but somehow make us want to shout along with them; they make serious music but don’t take themselves too seriously; they are completely adverse to planning but have accidentally built a loyal cult following. On \u003ci\u003eCheer\u003c\/i\u003e, the band has doubled down on their Drug Church-iest impulses and improbably emerged with an album that's sure to please longtime fans and turn new heads. If there’s anything intentional about Drug Church, it’s knowing the value of being unintentional.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePNE2254\u003c\/span\u003e\u003c\/p\u003e","brand":"VENUS VINYL","offers":[{"title":"Default Title","offer_id":42328567709954,"sku":"PNE2254","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/6395\/4238\/products\/Drug_Church_-_Cheer.jpg?v=1543163908"},{"product_id":"makaya-mccraven-universal-beings-vinyl-2lp-gatefold","title":"MAKAYA MCCRAVEN - UNIVERSAL BEINGS VINYL (IA11 EDITION 2LP W\/ OBI-STRIP + BOOKLET)","description":"\u003cp\u003e\u003cem\u003eRelease Date: 5th December 2025\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eRe-issue of one of the best jazz albums of 2018! Makaya McCraven's \u003ci\u003eUniversal Beings\u003c\/i\u003e took the modern jazz world by storm with its incredible range, having been created out of a year’s worth of recordings from live shows featuring some of the best jazz players out there in Shabaka Hutchings, Nubya Garcia, Miguel Atwood-Ferguson, Tomeka Reid, Joel Ross, Brandee Younger, and Jeff Parker. The record lives somewhere between a studio and a live record and that's what sets it apart and with its roots in hip-hop and the beat scene, it lives and breathes with a pulsating undercurrent. Out of this universe! \u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003e\u003cspan\u003eFFO: Alfa Mist, Tenderlonious, Damon Locks, Mammal Hands\u003c\/span\u003e\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003ci\u003eUniversal Beings\u003c\/i\u003e\u003cspan\u003e is jazz drummer \/ producer Makaya McCraven's new album - his most ambitious, elegant and refined work yet. Recorded at 2 intimate live sessions and 2 pop-up \"studio\" sessions across the \"new\" jazz hotbed cities of New York, Chicago, London, and Los Angeles, Makaya collaborated with an all-star cast of improvisers (15 musicians in total, including Shabaka Hutchings, Nubya Garcia, Jeff Parker, Miguel Atwood-Ferguson,Tomeka Reid, Brandee Younger and Carlos Niño) to create source material for the signature style of \"organic beat music\" production he debuted on the ground-breaking 2015 release \u003c\/span\u003e\u003ci\u003eIn The Moment\u003c\/i\u003e\u003cspan\u003e. The result is this epic, double set that represents another breakthrough in Makaya's career as a recording artist, as well as a definitive new work of the exciting global groundswell of next-generation, Black musicians re-vivifying and re-articulating \"jazz\" in 2018.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIARC22LP11\u003c\/span\u003e\u003c\/p\u003e","brand":"VENUS VINYL","offers":[{"title":"Default Title","offer_id":18418149720126,"sku":"IARC22LP11","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/6395\/4238\/products\/Makaya_McCraven_-_Universal_Beings.jpg?v=1547240474"},{"product_id":"alabaster-deplume-to-cy-lee-instrumentals-vol-1-vinyl-lp","title":"ALABASTER DEPLUME - TO CY \u0026 LEE: INSTRUMENTALS VOL. 1 VINYL (IA11 EDITION LP W\/ OBI-STRIP + BOOKLET)","description":"\u003cp\u003e\u003cem\u003eRelease Date: 5th December 2025 (originally 28th February 2020)\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3 class=\"x_x_x_PlainText\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eManchester-born, London-based jazz bandleader, composer and saxophonist,\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eAlabaster DePlume, brings us his International Anthem Recording Company debut, \u003cspan\u003e\u003ci\u003eTo Cy \u0026amp; Lee: Instrumentals Vol.1. \u003c\/i\u003e\u003ci\u003eTo Cy \u0026amp; Lee\u003c\/i\u003e was made whilst working for a charity in Manchester during which time he cared for both Cy and Lee, using music in elementary form as a means of expression and interaction. DePlume would record their humming and melody sessions and then turn them into fully-fledged jazz orchestrated instrumentals you hear before you. An utterly transcendent musical experience of free jazz, centred on the fundamentals of community and collaboration. Music with meaning! \u003c\/span\u003e\n\u003c\/h3\u003e\n\u003ch3 class=\"x_x_x_PlainText\"\u003e\u003cspan\u003eFFO: Matthew Halsall, Mammal Hands, Damon Locks, Makaya McCraven\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003ci\u003eTo Cy \u0026amp; Lee: Instrumentals Vol. 1\u003c\/i\u003e has a suitably individual genesis. Alabaster DePlume was working for Ordinary Lifestyles, a charity in North Manchester UK which supports people with disabilities to live in their own homes and to live fulfilling lives. Specifically, he was working with the titular Cy and Lee. His job was to get the guys socializing and he did this by making up songs with them. They’d make up melodies together, humming tunes in the house when they needed something calm, or when they were haring round the city in a battered car. DePlume would record these impromptu sessions in his phone, then go to the studio and use the material as starting points for songs. He also ran music sessions for Cy, Lee and their friends. “\u003ci\u003ePeople would focus on a central point, tuning in to one another. There are things we can’t put into words, which can be expressed with sound and music. These guys have fewer words than us, some of them have none. When we put some feelings into a music expression – that’s liberation\u003c\/i\u003e.” It’s a method he uses in live shows wherever possible, placing himself and the musicians in the round. The aim is to maximize the creative benefits that a community of players and listeners can bring to the music. It’s a collectivist and humanist approach to making music that sits underneath everything he does. This is music made for a reason. “\u003ci\u003eI like the idea that we’re not just doing frivolous decoration. We’re doing work for society. I like to listen for what needs to be said.\u003c\/i\u003e” \u003c\/span\u003e\u003cspan\u003eAlabaster DePlume is a Manchester UK-born, London-based bandleader, composer, saxophonist, activist and orator. He’s a resident at the legendary London creative hub Total Refreshment Centre, a recording artist for the off-grid Scottish Hebridean island label Lost Map, and now the latest arrival into Chicago-based International Anthem’s growing family of progressive musical explorationists. Whilst much of his music contains vocals – often whispered imperatives – this is a collection of instrumentals. The music of \u003ci\u003eTo Cy \u0026amp; Lee\u003c\/i\u003e… contains naturally elegant orchestration wrapped around something visceral and primordial. The music is filled with space, inspired, he says, by computer games and Japanese animation, particularly Joe Hisaishi’s soundtrack for Castle In The Sky. The record combines new compositions alongside bygone instrumentals and under-stated lullabies that feel like they’ve been picked from between the cracks of civilization. DePlume purposefully brings together players of different skill levels and different backgrounds so they have to interact differently, placing them in unusual situations in which to record. “\u003ci\u003eI wanted to destroy the idea of correct so we were playing it different ways for fun. We had a very magical time playing the tunes\u003c\/i\u003e.” This is activism expressed through gorgeous music that breaks down barriers by encouraging that most powerful emotion: connectedness.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIARC30LP11\u003c\/span\u003e\u003c\/p\u003e","brand":"VENUS VINYL","offers":[{"title":"Default Title","offer_id":31576808915006,"sku":"IARC30LP11","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/6395\/4238\/products\/Alabaster_DePlume_-_To_Cy_Lee_Instrumentals_Vol.1.jpg?v=1582026130"},{"product_id":"floating-points-pharoah-sanders-the-london-symphony-orchestra-promises-vinyl-ltd-ed-180g","title":"FLOATING POINTS, PHAROAH SANDERS \u0026 THE LONDON SYMPHONY ORCHESTRA - PROMISES VINYL (LTD. ED. VARIANTS)","description":"\u003cp\u003e\u003cem\u003eRelease Date: 28th November 2025 (originally 26th March 2021)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003e“Sam Shepherd (Floating Points): Pharoah... \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003ePharoah Sanders: Huh...?\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eSam: Were you asleep? I'm sorry...\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003ePharoah: No no... I was listening... and dreaming... and listening to music in my head...\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":240}'\u003e \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eSam: Oh wow... sorry.\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":240}'\u003e \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003ePharoah: Many times, people think I might be asleep... but in fact, I am just listening to music in my head. I'm always listening... to the sounds around me... and playing, in my mind... and sometimes I dream.\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eSam: What were you dreaming about?\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003ePharoah:  I'm on a ship. In the ocean. Bears coming around smoking cigars. The bears are singing, ‘We have the music. We have what you're looking for.’ I say, ‘Really?’ And I was making fish dinners. Shark..Lobster. Got all kinds of fish. And you know, a good pie. Pumpkin pie. You like pumpkin pie?\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":240}'\u003e \u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003ePharoah:  How you like that take, Sam?\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eSam:  It's cool. I think the bit in the middle, where it stops again...I think you can hear...We were both kind of confused. I like it as well because it sounds like two musicians that are trying to guide each other.\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003ePharoah:  I think that's it right there. It came out different. It came out good though.\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eSam:  You happy?\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003ePharoah:  Yeah, I'm cool with it.\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-contrast=\"auto\"\u003eSam:   Okay. Yeah, I think you're playing is beautiful.”\u003c\/span\u003e\u003cspan data-ccp-props='{\"201341983\":0,\"335559739\":160,\"335559740\":240}'\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"VENUS VINYL","offers":[{"title":"VINYL GATEFOLD RE-ISSUE","offer_id":55348183499128,"sku":"LB97LPNDC","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"LIMITED EDITION 180G VINYL GATEFOLD W\/ DIE-CUT SLEEVE","offer_id":55348183531896,"sku":null,"price":33.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/6395\/4238\/products\/FloatingPoints_PharoahSanders_TheLondonSymphonyOrchestra_Promises.jpg?v=1615322472"},{"product_id":"worship-and-tribute-glassjaw-vinyl-lp","title":"GLASSJAW - WORSHIP AND TRIBUTE VINYL RE-ISSUE (180G LP)","description":"\u003cp\u003e\u003cem\u003eRelease Date: 2025\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"Worship and Tribute is the second studio album by American post-hardcore band Glassjaw and was originally released in 2002. 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As driving force for the lauded State Champion, long-running member of Tropical Trash, administrator of the esoteric and excellent Cropped Out festival, and lone proprietor of the Sophomore Lounge label, Davis lays down his first proper ‘solo’ release with Dancing On The Edge, a rich, 2LP tapestry of tunes that absolutely glows over seven expansive cuts. It’s a pure collage of modernity and heritage. After a period of introspection spent re-immersing himself in his drawing and painting practice, as well as his newfound delvings into instrumental music, Davis’ sea change was imminent. “I wasn't sure I would ever make another record of ‘song’ songs,” he says, “but last year I started writing again and it eventually took the shape of the record at hand. I worked painstakingly hard on the material. It felt virtually impossible to complete for a bulk of the time I spent trying to enter into it, but the process pulled me out of a strange place. I was eventually able to live inside of the songs enough to understand the world within them – to ultimately help shape them into what I understood them to be.” Indeed, there’s a load of inspiration captured in the grooves with Ryan’s unfiltered, folk-traditioned approach to poetic twists-of-tongue meeting head on with sublime instrumentation. Recorded in early 2023 with help both in-studio and remotely from peers like Joan Shelley, Catherine Irwin (Freakwater), Will Lawrence (Felice Brothers, Gun Outfit, John Early), Jenny Rose (Giving Up), Christopher May (Mail the Horse), Elisabeth Fuchsia (Footings, Bonnie \"Prince\" Billy), and Aaron Rosenblum (Son of Earth, Sapat), 'Dancing on the Edge' draws backup perhaps primarily from Davis' tight-knit drinking buddies-cum-cast of collaborators in Equipment Pointed Ankh (records on Astral Editions, Bruit Direct Disques, Torn Light) – a five-headed hive-mind from which he drew impetus for his own foray into more abstract and improvisational terrain these past few years under the Roadhouse alias. The results herein are melancholic, gentle, minimal yet colorful in mood: a lilting highway accompaniment of crisp instrumentation and a relaxed, amiable approach to vocals with rhapsodic wordsmithery. 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Manning Fireworks is a remarkable development in MJ Lenderman's story as an incredibly incisive singer-songwriter, whose propensity for humour always points to some uneasy, disorienting darkness. The punchlines are still here, as are the rusted-wire guitar solos that have made Lenderman a favourite for indie rock fans looking for an emerging guitar hero. 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This development is aligned with contemporaries like HTRK, Dean Blunt, Tarquin Manek, YL Hooi and Rat Heart Ensemble, whilst also harkening back to the likes of AR Kane (with whom they are set to play shows and release a collaborative single), the languorous drift of 'Victorialand' era Cocteau Twins or The Cure circa ‘Disintegration’. Comprising Jasmine Butt (vocals, guitar), Alex Rendall (vocals, keys) and Amos Childs (production, bass guitar), the trio’s method may have shifted but the feel remains consistent - slow, spatial, sensuous and gently melancholic. With a career arc unlike almost any other current guitar outfit, Jabu sit within a strong lineage of off-centre Bristolian music, and a very British strain of home-spun DIY bands. Self-recorded between Jas and Amos’ home in South Bristol and Amos’ mum’s house in rural North Somerset, the album came together via a process of trial and error - learning to play on borrowed instruments, using the equipment “wrong”, staying up late recording and slipping into strange, semi-conscious sleep deprived\/inebriated headspaces. Having captured over 50 tracks, they honed in on those they liked most, shaping them further, whilst carving out space to allow input from people they love and admire - Daniela Dyson’s voice and Will Memotone's clarinet on ‘Ashes Over Shute Shelve’, Birthmark's synth on ‘Gently Fade’ and ‘Sea Mills’, Rakhi Singh (Manchester Collective) and Sebastian Gainsborough (Vessel)’s strings and arrangements on ‘All Night’, Josh Horsley’s cello on ‘If I Asked You, You'd Tell Me’, and Lorenzo Prati’s sax, again on ‘Sea Mills’. The album was mastered by Amir Shoat (HTRK, ML Buch, Dean Blunt, Carla Dal Forno). Influencewise, the guitar-based material recalls the bands Amos listened to when younger, and Jas’ more folk-leaning inspirations. Deep-lying dub, hip hop and soul influences are also evident in both the way the LP was mixed, and the space ingrained in their subconscious. Tinged with melancholy, the songs cohere as a set of soliloquies and ruminations on love and tenderness. The album’s title comes from a poem by Amos’ late father which hangs on his wall and seeped into the record. ‘Ashes Over Shute Shelve’ is formed of lines from another poem of his. Recited by longtime collaborator Daniela Dyson and with Will Yates (Memotone) playing his mother’s clarinet, the track was imagined as a conversation between his parents. Geography and location also play a big part in the record, with several significant places name-checked in songs. 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Somewhere during that endless grind, vocalist Grady Allen was sitting in a hotel room and stumbled upon a name typed into a long-forgotten memo on his phone: Bambi. “We should have named the band Bambi,” he recalls admitting to his bandmates. Bambi stuck with the band after that night and eventually it evolved from a “what-if” into the name of Anxious’ second full-length album. Bambi is a record of remarkable growth, depth, ambition, and energy. It takes all the unsolvable and unavoidable problems of exiting adolescence and makes them resonate in urgent and authentic new ways. The album has deep roots in the storied lineage of Northeast tri-state hardcore and emo, but it also fully embraces the widescreen alternative rock songwriting at which Anxious have previously only hinted. It’s a statement of purpose, the kind of album that comes from a band reconciling where they’ve been with where they want to go. 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Whilst there is more scope in instrumentation, the band have stripped back the layers of distortion to reveal their avant-garde-jangle-dream-pop in all it's naked glory!\u003c\/h3\u003e\n\u003ch3\u003eFor Fans Of: Stereolab, Cate Le Bon, Sonic Youth, Porridge Radio\u003c\/h3\u003e\n\u003cp\u003e \u003cbr\u003e\u003cbr\u003e\"Horsegirl — the New York-via-Chicago trio of best friends Nora Cheng, Penelope Lowenstein, and Gigi Reece — announce their second album, Phonetics On and On, out February 14th. Produced by Cate Le Bon and recorded at The Loft in Chicago, the band’s original and sonic home, Phonetics On and On is an exploration of the lines between pop, minimalism, and playful experimentation. Since the release of 2022’s Versions of Modern Performance, “compelling from its first note to its very last” (NME), much has changed for Horsegirl. In the fall of that year, they relocated to New York City, where Penelope and Nora were to attend NYU leading to the first time the trio had written music outside of Penelope's parents' basement. You can hear the push in a new direction by virtue of their new environment, but through this time of unparalleled change, the band turns inward. Horsegirl returned to Chicago to record in January 2024, finding focus and intimacy in the studio that can only arise when it's simply too cold to step outside. Le Bon led them into new, bright, clear, sonic territories highlighting the inventive nature of these songs. New tools help bring this world to life; violins, synths, and gamelan tiles are all woven into the record. The songs are a testament to experimenting with space and texture while maintaining a pop song at the core. All the while, a confident simplicity brings the band's songwriting ability to the forefront. It’s hard to imagine any of these songs being written by anyone but Nora, Penelope, and Gigi. Horsegirl write with unanticipated honesty, leading us through scenes of girlhood and youth. These are moments of their lives. The indelible truth is that Horsegirl is a band of best friends; being around them you can see that love in their eyes and it is always a joyous thing to witness. 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Edwards runs the beloved all ages venue Drkmttr; Poole is a go- to recording engineer for local bands; and all four members have played in various other projects over the years. Within the constellation of Nashville's DIY scene, Poole, Reichley, and Madeira were already well acquainted with each other's playing styles through a previous band. Starting as a side project in 2017, the three shifted gears and began leaning toward a more intense sound requiring a vocal presence unburdened by an instrument. Since then, the release of 2021's self-recorded Do It With A Smile led Thirdface to regional tours with the likes of Touche Amore and City of Caterpillar. On Ministerial Cafeteria, Thirdface loosens the reins only a little more than on Do It With A Smile, but the small change makes a profound difference. 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Given that unofficial versions of the album have circulated online for years and that releasing Balloonerism was something that Malcolm frequently expressed being important to him, we felt it most appropriate to present an official version of the project to the world. With that in mind, we're happy to announce that Balloonerism will be released on January 17th, 2025. The album was born from the same creative period in which Mac was working on Watching Movies with the Sound Off, Delusional Thomas, Faces and more, and represents the creative ambition that he had agnostic of musical genre. Balloonerism will be available digitally as well as a variety of physical formats including CD, and vinyl. 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Madvillainy is now regarded as one of the greatest hip-hop albums of all time.\"\u003c\/p\u003e\n\u003cp\u003eSTH2196LP\u003c\/p\u003e","brand":"VENUS VINYL","offers":[{"title":"Default Title","offer_id":54840741855608,"sku":"STH2196LP","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0003\/6395\/4238\/files\/Madvillain-MadvillainyDemosvinyl.jpg?v=1733506503"},{"product_id":"madvillain-madvillainy-audiophile-edition-vinyl-ltd-ed-2lp","title":"MADVILLAIN - MADVILLAINY (AUDIOPHILE EDITION) VINYL (LTD. 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